MATRIXSYNTH: Solton Polyvox


Saturday, April 21, 2007

Solton Polyvox


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Details:

"This is an odd stereo analog synth from Italy, looks like early to mid 80's. On the back tag it says Ketron Anacona Italy. Polyvox by Ketron Lab., and serial # 12xx/85. It is polyphonic, and all keys can play at once.

It has two sections, a large controller with voice banks, a footpedal with two switches, hookup wires,and a keyboard that has it's own voice banks. The keyboard has a 120 bass for the left hand. Before you roll your eyes (like I did ten years ago when I took this in trade!), the 120 bass controls a complex string, choir , organ, and bass guitar with a cool sequencer ! The strings/choir/organ sound is very lush and reminded me a lot of my K*rg Polysix when you had the effects switched to ensemble. The amazing thing about the voices is that there is a lot of flexibility and adjustments.

When I first started playing with this last year ( I had hoped to list it here before thanksgiving), I got lost in the mesmerizing grooves you could quickly make with the left hand (and I can't play accordian!) . Now it is 6 months later and I feel that I have explored this enough to describe it! I wrote 2 songs with it just this week! The phrase I keep thinking of is "This is not a cookie cutter instrument". Although similar in many ways to the basic concepts of the cheap Yam*ha's and Cas*o's (on board rhythym, drums, basic song arrangement, ala one man band), this has different arrangements, more dark new wave, kind of reminding me of the english new wave of '79-'82 . No polka madness here! And none of the aforementioned cheapies can lay down lush strings like this.

As for the right hand, you get the basic analog imitations of instruments, plus 3 mo*g-like synth sounds. The only adjustments are brilliance and modulation, and you do get a decent 'mo*g sound. Analog does make a difference, as I did not feel that I had to alter any of the instruments, like I usually do when recording the cheapie digital synths.

There's more. There is a stereo section that has the instrument moving in(or is it out?) when a key is hit. It does not continue to move if you hold the key down.. There are many adjustments for the strings, choir, organ brass, piano, percussion. Plus there are many ways to make up the sequencer for the arranger. As far as I can tell from playing it the last 6 months, you can not alter the arrangement/sequencer, but you can adjust what is in the mix.

The drums are decent sounding, and you can switch off the individual instruments. There is a tone slide that was pretty effective.

All works good, sliders work clean, leds light up, things go on and off as they should (at least as I think I should, I had no luck finding a manual online) except for two things.For some reason each time you hit one of the sequencer programs (pre-set) the drum tempo goes to the top speed 90, and you have to adjust it down to a more normal speed (40) and I could not figure out the bass program with 2 stops and a sustain (like an organ pedal). The bass guitar and double bass work fine, so I am not sure why I can't bring that section up.

This is not for everyone looking fo an analog synth, and I understand the desire to create your own voice (I'll be listing my mini-mo*g in a couple of days). But as a former synth freak, that had over 50 analog synths (and the same number of digtal ones!), I have found that the voice you spend a lot of time creating is similar enough to presets, that you could have saved a lot of time using a preset and simply modify it with outboard gear!

Anyway the point I want to make here is that this is not for someone that will be building a patch from a sawtooth oscillator , the strength of this unit is in it's songwriting/one-man band arranging. If you like your music on the odd and dark side (Resid*nts?), you will love this unit. If you think Abba and the Eagles are where it's at, do not bid! If I wasn't retired from the biz, I would keep this over the Mo*g, even though this is worth less. I have yet to find another one through go*gle searches. If you do end up getting this, and writing a hit song with it, only you and I would know how you did it!"

6 comments:

  1. Moustache sold separately.

    ReplyDelete
  2. LOL hilarious "God keeps his promises" sticker on the top left. Now i must own that synth

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  3. Ann now, we haf Myron Floren to entertain you wif his new accordeon synthesizer verr-sion of 'Autobahn'. Anna-one, anna-two...

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  4. It's a organ. A weird wersi-ish one though, but not really a synth.

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  5. hello,
    thank you for your post!
    i just found a SOLTON SUPER POLYVOX by KETRON LAB in a second hand store here in italy :)

    It sounds very good, bizarre machine of course but very interesting.

    It's a bit different from your, mine is SUPER! :), it has no keyboard and just an external controller where you are supposed to plug a midi keyboard. But i can't figure out how to make it work!

    Do you think you can help me? No manual on the net... i wrote to Ketron that now produce things for folk music...

    Anyways, if it helps it has on th e backside:
    midi out
    data trasmission
    pedal controller in
    stereo out
    stereo inputs
    separate outputs for organ and sequencer

    The external controller have:
    midi in
    midi trough
    midi out
    data trasmission

    and maybe something else...?
    if you want i'll take some snapshot of it.

    by the way, i used it yesterday for a disco concert, and he did his job :) very nice.

    thank you
    andrea

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  6. I have a Solton Super Polyvox as well as a Solton SM100 and a Solton Esoprani Accordion. All manuals, cords, plug-in, etc are with it. And, I know nothing about any of it! These were given to my mother by a friend before he passed away. He was a one man band, sort of.
    If anyone is interested in these units please shoot me an email. rltreanor@mcsi.net
    Ray Treanor

    ReplyDelete

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